Design great products for life


Optical

Cubism

Portrait / 2024
Between me, the observer, and the outer world floating these beings of other dimensions, which are visible only in the direct stream of sunlight. If someone doesn’t show up to explain their nature, I’ll have to give them a name and continue to observe.
Between me, the observer, and the outer world floating these beings of other dimensions, which are visible only in the direct stream of sunlight. If someone doesn’t show up to explain their nature, I’ll have to give them a name and continue to observe.
Ultra Dimension / 2024
We are what we look at.
We are what we look at.
We / 2024
Alternative life / 2023
Contrast / 2018
In art and philosophy he is an image that inspires reflection on human nature, leadership, struggle, and victory. He remains a timeless symbol of courage, moral strength, and beauty, while his interpretations continue to inspire new philosophical and artistic explorations.
In art and philosophy he is an image that inspires reflection on human nature, leadership, struggle, and victory. He remains a timeless symbol of courage, moral strength, and beauty, while his interpretations continue to inspire new philosophical and artistic explorations.
David / 2024
Qvevri jugs with the remains of grape seeds and skins, which date back to the 6th millennium BC, indicating that the people who lived in these parts had knowledge about the cultivation of grape varieties and winemaking. According to the chroniclers, Georgia adopted Christianity with a cross made from vines and branches. In Georgia, the "tree of life" is traditionally represented as a vine. And here is the traditional toast: “Watching this story of Georgian vine and how Georgians deal with this drink, in planetar scale I saw this lands as an wholistic organ of the Earth producing and digesting this liquid. I wish this organ function well for the centuries to keep the planet healthy.”
Qvevri jugs with the remains of grape seeds and skins, which date back to the 6th millennium BC, indicating that the people who lived in these parts had knowledge about the cultivation of grape varieties and winemaking. According to the chroniclers, Georgia adopted Christianity with a cross made from vines and branches. In Georgia, the "tree of life" is traditionally represented as a vine. And here is the traditional toast: “Watching this story of Georgian vine and how Georgians deal with this drink, in planetar scale I saw this lands as an wholistic organ of the Earth producing and digesting this liquid. I wish this organ function well for the centuries to keep the planet healthy.”
Vino / 2022
Sunlight contains all the information that exists in the space of Sun. By focusing at a certain angle, we can extract images from the past. In my 34, I learned that sex is determined by sperm. And how many women in human history have we unjustly accused of not being able to produce an heir. The conclusion is: the one who accuses is already guilty.
Sunlight contains all the information that exists in the space of Sun. By focusing at a certain angle, we can extract images from the past. In my 34, I learned that sex is determined by sperm. And how many women in human history have we unjustly accused of not being able to produce an heir. The conclusion is: the one who accuses is already guilty.
Self portrait / 1990 / 2024
Light of Poti through a Fresnel lens to one of the city's proud sights - the Lighthouse, made in 67 in London and brought here by ship. Going inside the lighthouse and climbing the wide spiral staircase to its top was so cinematic experience. Climbing up, opened a wide view of the area of the city. Thanks to this lens, which was intended for other purposes, it was possible to collect the entire view in one frame. Photograph was made during the residency and will be exhibited in Poti, Tbilisi, Vilnius and Baku.
Light of Poti through a Fresnel lens to one of the city's proud sights - the Lighthouse, made in 67 in London and brought here by ship. Going inside the lighthouse and climbing the wide spiral staircase to its top was so cinematic experience. Climbing up, opened a wide view of the area of the city. Thanks to this lens, which was intended for other purposes, it was possible to collect the entire view in one frame. Photograph was made during the residency and will be exhibited in Poti, Tbilisi, Vilnius and Baku.
Poti of 2022 from the lighthouse / 2022
This photograph is an illustration of the abstract idea of infinities, creating the illusion of a multilayered space. The central shapes and blurred boundaries evoke how different levels of infinity overlap and interact. Like cardinals, each layer of the image reveals new details and perspectives, branching into an infinite array of possible interpretations. You are invited to dive into a world of boundless structures, where every form unfolds within a more intricate one, transcending ordinary perception.
This photograph is an illustration of the abstract idea of infinities, creating the illusion of a multilayered space. The central shapes and blurred boundaries evoke how different levels of infinity overlap and interact. Like cardinals, each layer of the image reveals new details and perspectives, branching into an infinite array of possible interpretations. You are invited to dive into a world of boundless structures, where every form unfolds within a more intricate one, transcending ordinary perception.
EXACTING AND ULTRAEXACTING CARDINALS / 2024
This frame about the wide potential of these huge surfaces in cityscape. Me, as a photographer used its species - reflection to shoot a wide angle mosaic image of the city and passing the baton to architects, constructors and inventors to use these surfaces as productive as possible.
This frame about the wide potential of these huge surfaces in cityscape. Me, as a photographer used its species - reflection to shoot a wide angle mosaic image of the city and passing the baton to architects, constructors and inventors to use these surfaces as productive as possible.
Mosaic Reflection / 2020
Azadlig is all about details, perspective and perception. For me this word means the name of the avenue. What is freedom for you?
Azadlig is all about details, perspective and perception. For me this word means the name of the avenue. What is freedom for you?
Azadliq. Baki / 2023
There are three layers in this photograph as in reality - imagination, vision and essence. And 4th state is absence of all of it. Imagination: This layer refers to the creative interpretation of the photograph by the viewer. It involves the imagination and personal perception of the viewer, which can be influenced by their past experiences, emotions, and cultural background. Vision: This layer refers to the actual visual elements present in the photograph, which is reflection and represents the physical reality. Essence: This layer refers to the underlying meaning or message conveyed by the photograph. It can be interpreted in different ways depending on the viewer's perspective and understanding. The fourth state mentioned in your statement, which is the absence of all these layers, could possibly refer to the idea of emptiness or nothingness. This could be interpreted as a philosophical concept, suggesting that beyond the layers of imagination, vision, and essence, there exists a state of pure emptiness or nothingness.
There are three layers in this photograph as in reality - imagination, vision and essence. And 4th state is absence of all of it. Imagination: This layer refers to the creative interpretation of the photograph by the viewer. It involves the imagination and personal perception of the viewer, which can be influenced by their past experiences, emotions, and cultural background. Vision: This layer refers to the actual visual elements present in the photograph, which is reflection and represents the physical reality. Essence: This layer refers to the underlying meaning or message conveyed by the photograph. It can be interpreted in different ways depending on the viewer's perspective and understanding. The fourth state mentioned in your statement, which is the absence of all these layers, could possibly refer to the idea of emptiness or nothingness. This could be interpreted as a philosophical concept, suggesting that beyond the layers of imagination, vision, and essence, there exists a state of pure emptiness or nothingness.
absence / 2020
Multidimensional framing / 2020
Vitrage / 2020
View through the telescope to eternal flame, in fact is the closest planet to the stellar system’s central star. Because of its distance it is also a burning planet with its 8 satellites and protoplanetary disks - dense gas around the planet. There is a hypothesis coming from this observation that it can be a fractal system where the mother star heats the nearest planet to keep its thermonuclear reactions which also got its satellite system and heats its first satellite, etc.
View through the telescope to eternal flame, in fact is the closest planet to the stellar system’s central star. Because of its distance it is also a burning planet with its 8 satellites and protoplanetary disks - dense gas around the planet. There is a hypothesis coming from this observation that it can be a fractal system where the mother star heats the nearest planet to keep its thermonuclear reactions which also got its satellite system and heats its first satellite, etc.
A0 - 3 / 40.355510, 49.829617
This is the story of a long way of photons. A photon generated by the combustion of helium enters a moonlit surface. Having been reflected, it strives 384,400 km to the main mirror of the telescope, then to the secondary reflector, and finally, having passed through all the lenses, it waits for about 9 minutes on the camera matrix for the rest of the fellow travelers from the moon in order to form a description of the surface of our faithful satellite - the Moon.
This is the story of a long way of photons. A photon generated by the combustion of helium enters a moonlit surface. Having been reflected, it strives 384,400 km to the main mirror of the telescope, then to the secondary reflector, and finally, having passed through all the lenses, it waits for about 9 minutes on the camera matrix for the rest of the fellow travelers from the moon in order to form a description of the surface of our faithful satellite - the Moon.
Moon Light / 2020
Do you remember the moment you finally arrive to the bosom of nature? When the engine stops singing monotonously and harmonic silence of surroundings embraces you. What do you see through the glass of your perception when you finally can observe the beauty of slowing down?
Do you remember the moment you finally arrive to the bosom of nature? When the engine stops singing monotonously and harmonic silence of surroundings embraces you. What do you see through the glass of your perception when you finally can observe the beauty of slowing down?
Arrived / 2020
During one second the matrix of the camera gathered this amount of light reflected through the part of mechanism which makes that “click” sound of a second in clocks. This photograph was made inside the city clocks of Poti in the tower of Niko Nikoladze who brought the new time to the country.
During one second the matrix of the camera gathered this amount of light reflected through the part of mechanism which makes that “click” sound of a second in clocks. This photograph was made inside the city clocks of Poti in the tower of Niko Nikoladze who brought the new time to the country.
Second / 2022

is an artistic experiment that investigates how perception itself — including space, time, and depth — is constructed through optical, temporal, and material conditions of vision. By working with optical tools of varying quality, controlled directions and colors of light, long exposure, as well as print scale, photo-paper properties, framing materials, spatial installation, and lighting, the project explores how perspective, composition, form, color, light, and duration intertwine to produce a multi-dimensional perceptual experience.

These experiments shift the focus from the depicted object to the act of seeing itself, positioning the viewer as an active participant who assembles the image over time. Human vision and the duration of attention become central materials, allowing depth — including temporal depth — to emerge through sustained observation. The resulting insights inform my subsequent projects, gradually drawing the viewer deeper into layered visual narratives.

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